2019


Sonic the Hedgehog Senior Environment Artist
  • Creating materials and textures adaptable to different species of trees.
  • Applying generic materials to rocky environments.
  • Re-texturing hero cabin walls and door (inside / outside) for close-up.
  • Additional modeling.



2018


Vice Lead Texture Artist
  • Design the most efficient way to approach each project.
  • Manage texture team and writing tutorials.
  • Design complex materials (node based) to be used in multiple vehicles.
  • Texturing (organic / hard surface).



2017-2018


Spider-Man: Into the Spider-Verse Senior Texture Artist
  • Texturing buildings and environmental objects with a unique style designed for the movie.



2016-2017


Senior Texture Artist
  • Texturing environments, hero vehicles and objects.
  • Additional look development.



2016


Smurfs: The Lost Village Senior Texture Artist


  • Texturing environment objects with a semi-realistic style designed for this project.



2015


The Great Wall Senior Surfacing Artist

  • Designing complex materials to be used masively on Chinese traditional buildings, based on the UV position of different elements.
  • Surfacing environments, objects and a digital double.
  • Additional modeling (hangar for unpublished project).



2014-2015


Gods of Egypt Senior Surfacing Artist

  • Surfacing hero elements, including environments (interiors/exteriors), objects and an elephant with its carriage, matching the original movie sets with the reference material.



2012


The Hobbit: An Unexpected Journey Environment Texture Artist (Surfacing)

  • Surfacing environments and objects.
  • Design a realistic and complex forest ground with a propietary lookdev software.
  • Creating generic high resolution texture tiles (8k - 16k) for the team.



2010-2011


Happy Feet 2 Senior Digital Artist (Surfacing)

  • Surfacing environments set in the Antarctic (mostly snow and ice), including painted and procedural displacements and some additional objects.



2008-2010


Senior Digital Artist (Surfacing)

  • Surfacing environments and objects. Design reusable building materials (SP).
  • Surfacing many different objects (hero/background)(LODG).
  • Surfacing environments matching the original movie sets (Aus).



2007-2008


Senior Texture Artist

  • Texturing London downtown streets (floor) and part of the Millenium Bridge. Additional object modeling (HP6).
  • Creature texturing (organic/hard surface). Using Photoshop's actions to help texturing a massive amount of objects of the Golden Army (HB2).



2006-2007


10,000 BC Senior texture artist
  • Texturing hero mammoth skin at very high resolution (legs and most of the body), tusks, eyes and harness.



2005-2006


Happy Feet Environment Surfacing Artist
  • Texturing / lookdev complex environments set in the Antarctic, including painted and procedural displacements, and baking elements like shadows, subsurface scattering and hologram effects for the ice.



2003-2004


Texture Artist / Modeler
Action Man: The Movie (animated movie)
GI Joe: Valor Vs Venum (animated movie)
GI Joe: Spy Troops (animated movie)
BOZ the Bear (animated show)
Robots, turn off your cell phone (commercial)
My Little Pony: Celebration Castle (commercial)
My Little Pony:Cotton Candy Cafe (commercial)
Chef Boyardee (commercial)
Spy Kids 3D (commercial)
  • Modeling, UVs, texturing and shading a great variety of elements for TV movies, animated movies, commercials and and other projects with very short deadlines.



2000-2003


Texture Artist / Modeler
  • Modeling, texturing and shading (in many cases also designing) enviroments and objects for cinematic trailers.



1999-2000


Commandos 2: Men of Courage Texture Artist
  • Create high resolution textures representing the ground/floors of the different environments of a video game.
  • Considering the integration with the 3D elements (buildings, roads, plants etc.).
  • Adittional modeling



1994-1998


Blade of Darkness Texture Artist
  • Creating hundreds of seamles textures for the environments of a video game.
  • The process involved painting on paper (gouache), using a scanner to digitalize the paints and create seamless textures in Photoshop (including many variations).